It’s week 7 of the challenge. I hope you’ve learned something new or at least done some good documenting of your life.
You can check out the full list and more information on the challenge here. You can also see every week that’s been posted so far here. Scroll to the bottom to sign up for weekly theme emails.
You can follow me on Instagram at @documentyourdaytoday and use the hashtag #documentyour2020.
Week 7: Get Close
February 12-18, 2020
This week’s challenge is to get close. Getting close allows you to focus on emotion when people are involved and get a different perspective on things. I’m going to focus on photos of people here, but you can certainly apply it to other things. Don’t worry about getting super close with a macro lens or otherwise, since we’ll cover macro photography later in the year.
Below are some examples of photos where I got close to the subjects to capture their expressions and emotion. Some of these were taken with a 35mm lens, so I was literally very close to them. Others were taken with a 50mm to 85mm, which allowed me to stand a bit farther away. The first three are portraits, the fourth is a candid but obviously very camera-aware, and the last two are candids.
Here are some tips on getting closer:
- To get a good close-up candid, you can either use a longer lens or work on being less noticeable. Usually people will notice me less and less as the day goes on when photographing a wedding or a documentary session. I start out chatting with them and getting them comfortable with me and eventually they just continue their day without paying me much attention. This does take some practice though, so you may find a longer lens the better choice to start. As for photographing your own family, the less you ask them to smile for the camera, the easier you’ll find it to take candids.
- Be careful getting close with a really wide lens (shorter than 35mm) because the edges can get distorted, along with people’s facial features. Think about how you look in a phone selfie versus in a photo taken from farther away. Cell phones tend to have wide lenses.
- Pay attention to expression. Getting close puts the focus on expression and emotion. For more tips on expression, check out the post from week 5.
- Getting close to your subject or using a longer lens and being relatively close will both create a shallower depth of field, so if your aperture is fairly low, your subject will be more isolated and stand out more. This is great for putting the focus on your subject, literally and figuratively, and can help take attention away from messy backgrounds. For example, the bottom left photo in the set above shows a mother dancing with her son and a blurry bartender in the background. The focus and depth of field make the bartender and other background elements barely noticeable.
- Don’t be afraid to cut off parts of people’s heads/faces and get super close up, as below. You don’t even have to include more than just a mouth or eyes, or even hands/arms, to convey emotion.
If you have any questions, join us in the Facebook group. I’ll be checking in there daily to see your work and help you achieve the best results.